Resolve Fusion: Back to Basics Part 2 - Expert Node Tips & Tricks
Master DaVinci Resolve Fusion's Node Graph with essential tips for faster connections, cleaner layouts, and efficient keyboard shortcuts.
Inspiration - 40th ASC Awards: A Round-Up of the Winners
Discover the 40th ASC Awards winners with trailers, crew credits, and curated resources for each cinematography category.
Deep Dive on Cullen Kelly's New Genesis Plugin
Explore Genesis, Cullen Kelly's film emulation plugin for Resolve, with tips on negative stocks, development controls, bleach bypass, & more.
The 100 Million Colors Edition Edition — Color Grading Newsletter
This week...Math for Colorists, Grading Fire and Ash, Generating End Credits, M5 Pro and M5 Max, and much more...
How Do You Sync LUTs, DCTLs Between Resolve Machines?
Learn to sync your LUT and DCTL library across multiple DaVinci Resolve machines using a shared cloud folder and Resolve's LUT preference.
The Griptape Edition Edition - Sunday Color Grading Newsletter
This week: Generative images in VFX, IMDb wars, extracting EXR layers, recording ProResRAW, Olympic FPV drones, and more!
DaVinci Resolve Fusion: Back to the Basics Part 1
Learn DaVinci Resolve Fusion from scratch. Build a title animation using nodes, the Merge tool, keyframes, and the power of reusing elements.
The Wet Mud Edition - Sunday Morning Color Grading Newsletter
This week... LLM usage, vibe coding, calibration, skin tones, EDL structure, reliable hardware, guassian splatting, aura farming, and more!
Vibe Coding with Claude Code for Post-Pros Part 1
Editor Jonny Elwyn shares coding lessons with Claude Code - from setup to shipping apps - and why post-production pros are built for it.
How Do I Replace Objects in 3D Camera-Tracked Shots in Fusion?
Learn to replace an object in 3D camera-tracked shots using Fusion's camera projection, aligned Shape3D planes, & a displacement depth trick.
The Transform Matching Edition - Weekly Color Grading Newsletter
This week: The mystical Newsletter Generator is operational, Olympic cameras, Baselight 7, Creator Studio, and more...
Is the Future of Post-Production to be Feared - or an Opportunity?
The Team discusses AI tools, evolving entry-level careers, immersive content growth, and thriving in our industry's pivoting landscape.
Ready to Install ComfyUI Locally? Now, the Complete Walkthrough
Let's install ComfyUI inside a Docker container, add ComfyUI-Manager, download AI models, & create a one-click Windows shortcut to launch it.
Saturation Operations - Color Warper, ColorSlice, DCTLs & Plugins
Explore Resolve's HDR Saturation, Color Warper, and Color Slice tools; when each excels, how density controls work, and how DCTLs go further.
Using Generative AI to Create Stills for VFX Clean-up Tasks?
Learn to use Photoshop's Firefly AI for effortless cleanup, then composite results in Baselight. Round-trip workflow with tracking & matting.
3D Camera Tracking in Fusion Pt 2: Improving 3D Camera Solves
Learn advanced 3D point cloud organization, 3D reference geometry, and multi-purpose masking workflows in Fusion for precise compositing.
ComfyUI: Securing AI Workflows with Docker Containers
Secure your ComfyUI setup with Docker containers. Learn installation, GPU passthrough, and isolation techniques for protected AI workflows.
3D Tracking Gone Haywire (with a Nodal Pan) In Resolve Fusion
Low solve errors don't guarantee accurate 3D tracking. Learn when nodal pans fool the tracker and when a single-point track can outperform.
Office Hours: Reflecting on 2025's Biggest Post-Production Shifts
2025 saw big changes in our industry - from post-house closures to AI adoption, & film emulation debates. And the future of remote workflows.
The Olo Edition: Sunday Morning Weekly Color Grading Newsletter
This week: Modern cinematic lighting, new colors, middle-gray, open gate, DJI drones, ultrawide laptops, and more...
Interview with Billy Hobson from Harbor Picture Company
Billy Hobson of Harbor Picture Company shares insights on grading features and commercials, Baselight workflows, and the power of mentorship in color grading.